Art Appreciation: Nina Hamnet in London and Paris - Tutor Dr Mark Banting
Course details
Course code
Q00017697Course date
Number of classes
1 sessionsTimetable
Branch
Petts Wood and OrpingtonTutor
Guest SpeakerFee range
How you'll learn
Venue
St John's United Reform Church OrpingtonLynwood Grove
Orpington
BR6 0BG
Level of study
Entry Levels 1,2,3: If you have never studied this subject before and you’re not confident in your skills, Entry levels are a good starting point.
Level 1: Covers basic skills and knowledge needed for this subject
Level 2: Building on basic knowledge or experience. Similar to Grade 4/ C at GCSE or O level in England or Standards in Scotland.
Level 3: Learn about the topic in-depth and have a broad range of skills. Independent working Equivalent to an A level in England or Higher in Scotland.
Beginners: A perfect introduction if you have no experience and skills in this subject.
Improvers: The next step if you have basic skills or knowledge but want to progress them further.
Advanced: Build on the solid experience and skills you have in this subject, applying your skills and knowledge in a more complex way.
Course overview
Course description
Art Appreciation: Nina Hamnet in London and Paris is designed to provide an in-depth exploration of the life and work of Nina Hamnet, an influential figure in the art scenes of London and Paris during the early 20th century. This course covers her artistic contributions, relationships with other artists, and the cultural contexts that shaped her work. Participants will study key works by Hamnet, as well as her influence on modern art movements in both cities. The course includes lectures, discussions, and visual analyses that encourage critical thinking and a deeper understanding of Hamnet's place in art history. By the end of the course, participants will have a comprehensive knowledge of Nina Hamnet's work and her impact on the development of modern art. This course is ideal for art enthusiasts, historians, and anyone interested in exploring the contributions of women in art.
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What financial support is available?
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What other support is available?
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